The white-capped, jagged peaks Catch the clouds and collect them, Draping them like scarves across their shoulders. The sun dances between floating puffs, Painting the canvas below with light and shadow.
It shocks my heart with joy each time, This ten thousand year old sculpture, Always new, never changing, This staging ground of life and death Against which every disaster obliterates itself. As the world remains whole.
This unshakeable frame of history Breathes into me its strength, I will fail often and fail at last, But in our failing, the world endures, Folding us into its story,
Its beauty and goodness echoes in my soul, The glory within resonating to the glory without, My joyful agreement, invitation, oneness With all that is good in the universe. I am an indispensable character in the eternal drama.
I got choked up when a friend posted this John Milton poem to my page, a poem written as he was losing his eyesight. It so perfectly reflects my own present struggle that it resonated deeply with me in a way it never had before.
When I consider how my light is spent
Ere half my days in this dark world and wide,
And that one talent which is death to hide
Lodg’d with me useless, though my soul more bent
To serve therewith my Maker, and present
My true account, lest he returning chide;
“Doth God exact day-labour, light denied?”
I fondly ask. But Patience to prevent
That murmur, soon replies: “God doth not need
Either man’s work or his own gifts; who best
Bear his mild yoke, they serve him best. His state
Is kingly. Thousands at his bidding speed
And post o’er land and ocean without rest:
They also serve who only stand and wait.”
Kimberly and I were visiting her relatives in Arkansas for a week, and some days after that, my laptop died. It is much easier for me to pick up my laptop as I sit on the sofa and begin to compose, but now I must come into our office and sit at a desk to compose, and it takes away the spontaneity and ease (and requires coordination with my wife). So I’ve been missing. Kimberly read to me this morning from a book written by the father of a boy with disabilities. He quoted a poem by Wendell Berry that I appreciated and so will share here:
You will be walking some night
in the comfortable dark of your yard
and suddenly a great light will shine
round about you, and behind you
will be a wall you never saw before.
It will be clear to you suddenly
that you were about to escape,
and that you are guilty; you misread
the complex instructions, you are not
a member, you lost your card
or never had one. And you will know
that they have been there all along,
their eyes on your letters and books,
their hands in your pockets,
their ears wired to your bed.
Though you have done nothing shameful,
they will want you to be ashamed.
They will want you to kneel and weep
and say you should have been like them.
And once you say you are ashamed,
reading the page they hold out to you,
then such light as you have made
in your history will leave you.
They will no longer need to pursue you.
You will pursue them, begging forgiveness.
They will not forgive you.
There is no power against them.
It is only candor that is aloof from them,
only an inward clarity, unashamed,
that they cannot reach. Be ready.
When their light has picked you out
and their questions are asked, say to them,
“I am not ashamed.” A sure horizon
will come around you. The heron will begin his evening flight from the hilltop.
Something is there that doesn’t love a wall,
That sends the frozen-ground-swell under it,
And spills the upper boulders in the sun;
And makes gaps even two can pass abreast. The work of hunters is another thing:
I have come after them and made repair
Where they have left not one stone on a stone,
But they would have the rabbit out of hiding,
To please the yelping dogs. The gaps I mean,
No one has seen them made or heard them made,
But at spring mending-time we find them there.
I let my neighbour know beyond the hill;
And on a day we meet to walk the line
And set the wall between us once again.
We keep the wall between us as we go.
To each the boulders that have fallen to each.
And some are loaves and some so nearly balls
We have to use a spell to make them balance:
‘Stay where you are until our backs are turned!’
We wear our fingers rough with handling them.
Oh, just another kind of outdoor game,
One on a side. It comes to little more:
There where it is we do not need the wall:
He is all pine and I am apple orchard. My apple trees will never get across
And eat the cones under his pines, I tell him.
He only says, ‘Good fences make good neighbours.’
Spring is the mischief in me, and I wonder
If I could put a notion in his head:
‘Why do they make good neighbors? Isn’t it
Where there are cows? But here there are no cows.
Before I built a wall I’d ask to know
What I was walling in or walling out,
And to whom I was like to give offense.
Something is there that doesn’t love a wall,
That wants it down.’ I could say ‘Elves’ to him,
But it’s not elves exactly, and I’d rather
He said it for himself. I see him there
Bringing a stone grasped firmly by the top
In each hand, like an old-savage armed.
He moves in darkness as it seems to me,
Not of woods only and the shade of trees.
He will not go behind his father’s saying,
And he likes having thought of it so well
He says again, ‘Good fences make good neighbours.’
The work of hunters is another thing:
Janathan Grace Reflections 